Fiber Art Connection-Sign Up February 15th

Guess what???  You are invited to a new fiber art adventure; a completely new learning community.

I’m really excited to share this news with you! AND I am delighted to reveal that I will be one of the eight artists offering a full week of instruction in May. This is an exclusive, private online art community that you can participate in right from your home.

Who We Are

The Fiber Art Connection
A learning community for the underground fiber artist ready to bring their art into the light

 

 

Here is the roster of teachers for the first session:

  • Desiree Habicht
  • Roxane Lessa
  • Candy Glendening
  • Liz Kettle
  • Rayna Gillman
  • Cecile Whatman
  • Deborah Babin
  • Ruth Chandler

Wow!  I’m so excited to be included in this fabulous group of artists/teachers!   A different teacher every week. We are also going to have a blog hop with prizes in the very near future too, so you clan learn more about these ladies.

Read the schedule of topics here

Each teacher will offer one week of instruction. I am scheduled for Week 8, May 3rd.

The content will remain accessible to you indefinitely. This is a huge plus! This way you may access the courses any time in the future.

Just some of the skills you will learn:

  • How to apply mixed media to different surfaces
  • Applique techniques
  • Painting on fabric
  • Thread painting and sketching
  • Acrylic ink on fabric
  • Collages
  • Lettering
  • and more. 

 Zen_wreath 600 WM

 Week 8– Join Fiber artist, Deborah Babin as she leads you into the layered world of painted fabrics in her class, Zen Wreath-Mixed Media. Learn how to paint interfacings, silk organza and even tissue paper to create mysterious layers that produce spectacular results. Color washes and Deborah’s layering techniques will help you bring a new depth and dimension into your own art quilts. You will be creating this beautiful little floral wreath quilt that you can add to and make your own!       

Please click here to find out more and to register:
The first session begins March 15th…reserve your spot!

 


 

 

Make Big Art-Black and White Compositions Update

In January of this year I announced that I would be making big serious art with the focus on black and white. My attempts were feeble to say the least; however, I learned a lot. The first composition did not progress to a point that pleased me. Eventually, I gravitated to a place where I am comfortable and yet still challenged.

What I learned is that working in (stark/solid) black and white is not for me. I realized my eyes respond best to subtleties in values and additional subtle color; having nuances is pleasing to me. The color I like the most is turquoise and I consider this to be a neutral color. This is the results: Four new compositions. As for making big art…that hasn’t happened yet either. I hope this goal will eventually work for me. I have made more art besides these four which I will cover in another post.

Sway with Me

Sway with Me

Sway with Me, 11 x 17″

This piece is made with canvas painted with two methods and mediums.

Method 1-Black ink and turquoise ink was poured and left to dry.

Method 2-Black and white acrylic paint. Black paint was applied with a paint brush first in random areas. When dry, white paint was added randomly. The paint was scratched into while still wet using the end of the paint brush to reveal black underneath leaving calligraphic marks and then left to dry.

Both pieces of painted canvas were torn into smaller pieces. It took many attempts of arranging the pieces to come up with a composition. Finally, I settled on this one. The hand stitching defined the character along with the addition of beads. Gradually I saw a woman’s figure dancing with her arms raised overhead. I am very pleased with the results. Click on any image to see an enlarged image.

sway detail 3 sway detail 2 300 Sway with Me detail 2 1024

Purple Haze

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Purple Haze, 8×10″

 

I like to draw on a program called Procreate. Often times I use this program to pass the time while flying long distances. This design is a cropped section of one of the drawings in black and white.

I printed the drawing onto silk habotai using my Epson printer with archival Durabright ink. Prior to printing I tweak the image in a photo program. I enjoy trying out various effects and this time subtle areas of purple developed. The only draw back is the size limitations.

 

Future plans: Divide and print a composition on multiple pieces of 8.5 x 11″ to enlarge the scale. Check the link to read about it using MS Paint.

I love the way silk responds to ink. Hand stitching brought this piece to life. The small (chicken scratch) stitches in purple represent a field in the background behind the large dark shape. I had some large purple bugle beads (mat finish) that connected perfectly by repeating the effect in the foreground (bottom left).

Seashore

Sea Shore, 5 x 8"

Sea Shore, 5 x 8″

 

This piece is not quite finished yet. I am thinking about adding a few more embellishments.

It is made with pieces of the painted canvas. I decided to add some warmth with shades of brown/pink thread (machine stitching).

Three pieces of painted lace looks sort of like beach fence; tiny real sea shells fit in perfectly. (Lace painted with Adriondack color wash: Butterscotch and Raisin)

I begin by moving and  arranging pieces of the painted fabric until I see a pleasing  composition. Sometimes this takes hours. Often I walk away,  wait a day or two and resume. Occasionally, I put it away and work on something else. The composition was positioned on batting and machine stitched in place; additional hand stitching enhances specific spots.

Silver Strands

Silver Strands, 6.5" x10.5"

Silver Strands, 6.5″ x10.5″

Silk habotai printed with my Epson printer; black and white with organic effects.

 

This piece is hand stitched with black and white thread; both running stitch and chicken scratch. Beads are attached to emphasize areas; blue and white. Some blue beads are crystals some are mat. In addition, I added four silver wire shapes to the center. I like adding wire. The wire has been pounded and shaped. The ends are pounded flat like a paddle. The wire is attached with hand stitching. Several stitches repeated in one spot to secure it and then repeated in several spots along the wire. The thread matches the color of the background at the point of stitching.

Silver Strands detail 300

Silver Strands detail

Both Seashore and Silver Strands will be trimmed and the edges finished.  You can see the stitching along the edge to secure the layers until this is done.

All four of pieces have similar qualities but are uniquely different. They will be mounted the same to create cohesiveness; 1.5″ deep painted canvas; black paint swiped on rather sloppy to look similar to the paint effects on the fabric.

I would like to read your comments. Write to me and tell me what you think. I welcome feedback.

 

 

 

 

Make Big Serious Art-part 2

At the beginning of 2015, I stated my goal was to make big serious art. I have been working on this off and on ever since. I hesitated to write about it until I came to a good point with a worthwhile report. I hoped to present art, truly well done art and (hopefully) BIG. But, alas this has not developed; not for lack of effort though. The other component of my goal was to work in black and white. This proved to be unfruitful. The first piece I (attempted) did not go as I planned. First the mistake I made was using black fabric that was not cotton…I later discovered it was gabardine. No wonder it was so rich and black. The method I used was to cut strips of black fabric and arrange them onto a solid piece of white fabric. I like the composition, sort of. Once I began to sew it I soon realized the black fabric was problematic. Fraying made all of the edges look awful. I could not find a remedy. Thus, this was a failed attempt. Sometimes I think of solutions much later…if I do I will continue. The painted papers I did with black and white are unfinished. Those too, are waiting for me to find a method I want to use. I really like them and they will surely work into something in some manner.

I am now regrouping. I plan to re visit my drawings I did on Procreate which is an I pad app I pad that I love. Check it out. It is very sophisticated but easy to use.

I like to print them onto white fabric using my EPSON printer; either on cotton or silk. They will not be BIG, but they could end up in a group design. I like to draw freely and then put the image in my photo program to change it up. I like to crop sections and “find” compositions.

 

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Design 1

pro_B-W 1 crop A

Design 1 Crop A

 

Design 1 has very thin lines. I like to have negative and positive spaces that are varied in size. This selection was the only cropped section I liked.

Design 2 is my favorite.

pro_b-w 2

Design 2

I like to look at the image from all angles. I found several compositions.

PRO_b-w_2_crop A

Crop A

Crop B

Crop B

 

Crop B rotated once

Crop B rotated once

Crop B rotated three times

Crop B rotated three times

 

Crop B rotated four times

Crop B rotated four times

Ultimately I selected a different crop selection to actually print and quilt.

PRO b-w 2 Art_full view

Full View 6″ x 11.75″

PRO_b-w 2 art_detail 1

Detail 1

PRO b-w 2 Art_detail 2

Detail 2

The main draw back of printing  is the challenge to get a good dark black. The actual shade on this print is slightly brown.

It is fun to work with designs.

Painting with Ink

TP_Example 2Painting with ink creates remarkable effects. The ink that I prefer is made by Ranger Ink: Adirondack Color Wash and Dylusions. The ink comes in a spray bottle with a fine mister. It is consentrated and can be diluted with water; mini misters are the best for this.. Color Wash has a muted palette. The colors have an earth quality. Dylusions on the other hand, are vibrant colors. They can be used together quite well. Smaple colors: Color WAsh: Eggplant, Espresso, Butterscotch. Dylusions: Vibrant Turquoise, Pure Sunshine, Polished Jade. The names alone suggest the tones.colorwash

Product description:

Dylusions Ink Spray

Dylusions Ink Spray dyes are a high quality, acid-free, non-toxic concentrated colorant for porous surfaces. The Dylusions Ink Sprays’ bright and vibrant palette will colorize paper, Sticky Back Canvas, wood, paper, clay and more. Use to create backgrounds on cards, scrapbook and journal pages, and in mixed media art projects.

■Concentrated colorant for porous surfaces
■Acid free and non-toxic
■Fine mist sprayer
2 oz bottle

Adirondack Color Wash
The Adirondack Color Wash featuring Tim Holtz is an acid-free, non-toxic, water-based dye developed for use on paper, fibers, fabric and more. These earthy and bright spray dyes will colorize paper, fibers, fabric, wood, paper clay and other absorbent surfaces. Ideal for paper crafters, mixed media and fabric artists alike. 2 oz. bottle.

Spraying vs. Painting

Spraying color onto a surface such as paper results totally different than painting. Painting with a brush (most of the time) reveals the marks made; looking obviously “painted”. Now, of course this is certainly highly desirable and exprected by many artists such as oil painters. I have reallized that mystery develops when it is not obvious HOW art is made.  I like that.

The other quality feature of (spray) painting with ink is the immediate results. Just a few pumps applies quite a bit of ink with rich and vibrant colors. You have many options. Create textures or go for smooth. Fold, pleate, twist, crumple the paper; anything goes; vary the papers and vary the methods.

LEARN TO USE THESE INKS IN MY NEW ONLINE COURSE: MIXING UP MEDIA

THE ACADEMY OF QUILTING 

Detailed instructions are given to create a LOOK. You may follow the designs provided or better yet….venture off to create your own LOOK.

click images to enlarge

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Current Look-Dylusions color palette

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Historic Look-Color Wash color palette

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Abstract Look-Dylusions color palette

Sign ups are now open!

These fabulous  inks are the primary medium for this course. You will learn a lot about how to use them and a lot more. I am very pleased with this new course. I encourage you to check it out HERE.

 

 

Mixing Up Media-Course Online

Mixing Up Media-My new course online at the Academy of Quilting

Start date: March 6th, 2015

Five Lessons $50

Sign Up now

MM_mini_finishedI am very happy to have this course ready to go. Many hours go into composing, making art, photographing, editing and more to put a course together.  Visit my profile page too.

You are invited: Go behind the scenes to experience some of my favorite methods and materials I use to create authentic art. Mixed Media: the fascinating realm of endless possibilities. Learn to: Transform various materials and unleash your creativity; observe amazing results from the get go.

 

Mixed Media-Take a Look and Make your LOOK

What is mixed media?
Basically, it is a playground filled with various types of art materials. All you have to do is take a look and then give yourself the freedom to play and have fun. It is impossible to go wrong, you will see.

For example, what if I told you that it is possible to make a painted surface look unpainted? No problem, I will show you just how to this and more. Working with mixed media offers unlimited options and endless possibilities. Once you experience this fascinating world you will soon realize this. Now, the best way to begin is with a focus otherwise the options are overwhelming.

The focus of this workshop is: To experience selected products and materials that produce amazing results. I invite you to realize the vast range of possibilities and gradually unleash your creativity. In addition, you will get to peak at my methods that I have used successfully for many years. I will share my journey with mixed media. I love stories, do you?

Create a LOOK-Three looks set the stage for exploration:

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1. Historic Look-inspired by authentic botanical illustrations

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2. Current Look-Updated style inspired by the Historic look

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3. Abstract Look-Pushed onward and into the future

Layouts are provided with various options that will guide you through practice and application. The design is based on a botanical illustration; a single flower is the featured specimen and focal point. You have options: work within your style whether you prefer to work loosely or refined with precise detail.

Either way, the objective is to create authentic art while at the same time experiencing some of my favorite and unique mixed media methods and (unconventional) materials including: interfacing, tissue paper, silk organza as well as cloth. These materials will be saturated with luscious colors and developed into dynamic textured surfaces using color wash dye paints; spritz, spray and drip dye paint. No need for prior painting experience…this is super easy, fast and super fun.

Techniques

The information I will provide comes straight from my coveted collection of tried and true methods and tools. For example, you will learn how to make and utilize a highly effective tool that I developed and use exclusively for appliqué.
Embellishment tags

CL_emb_200Make it yours-Refine your look with handmade accents-Descriptive text that is found on botanical illustrations will engage the viewer. Attach these with flare using hand and/or machine stitching, free style or uniform; unique beads, buttons or any personal findings; various sewing methods are suggested and demonstrated including quilting considerations.

Have more fun making your very own stamps and stencils to mix together and play around with; use them on tags as well as the surfaces.Stencil_200

MM_L5_hl_binding_strip_3Complete your look with my favorite (and easy peasy) binding method with silk organza along with a sleeve to hang your prize piece and show it off.

New Updated Menu

I have uploaded all of my artwork. There are now 42 images. This collection is from 2010 to now. In addition, I have updated the menu on the home page. Instead of having one gallery I have created two galleries. The main menu tab is titled:  GALLERIES with two drop down menus below.

 Textile Paintings

and

Mixed Media

The textile paintings are made with various fabrics. The mixed media pieces are made with various materials. Such as: fabric, assorted papers, wire, buttons, beads. In addition various methods are combined. Such as: Painted fabric, painted paper, paper combined with fabric as “paper cloth”, collage, hand stitching, hand embroidery, to name a few.

Each gallery shows eleven thumbnail images on each page in one column. This makes it easier to see each one separately. Click on an image to see the full image.

I think this is a big improvement. I hope you enjoy seeing all of my artwork. Let me know what you think.

 

On Sight Demonstration

August 4th my granddaughter Madeleine and I will give a demonstration for one hour at 12:30 p.m. at Bainbridge Arts and Crafts gallery. We will show how to add beads and decorative stitches by hand.

Madeleine will be working on her landscape and I will work on a collage.

Please stop by and visit us.