In January of this year I announced that I would be making big serious art with the focus on black and white. My attempts were feeble to say the least; however, I learned a lot. The first composition did not progress to a point that pleased me. Eventually, I gravitated to a place where I am comfortable and yet still challenged.
What I learned is that working in (stark/solid) black and white is not for me. I realized my eyes respond best to subtleties in values and additional subtle color; having nuances is pleasing to me. The color I like the most is turquoise and I consider this to be a neutral color. This is the results: Four new compositions. As for making big art…that hasn’t happened yet either. I hope this goal will eventually work for me. I have made more art besides these four which I will cover in another post.
Sway with Me
This piece is made with canvas painted with two methods and mediums.
Method 1-Black ink and turquoise ink was poured and left to dry.
Method 2-Black and white acrylic paint. Black paint was applied with a paint brush first in random areas. When dry, white paint was added randomly. The paint was scratched into while still wet using the end of the paint brush to reveal black underneath leaving calligraphic marks and then left to dry.
Both pieces of painted canvas were torn into smaller pieces. It took many attempts of arranging the pieces to come up with a composition. Finally, I settled on this one. The hand stitching defined the character along with the addition of beads. Gradually I saw a woman’s figure dancing with her arms raised overhead. I am very pleased with the results. Click on any image to see an enlarged image.
I like to draw on a program called Procreate. Often times I use this program to pass the time while flying long distances. This design is a cropped section of one of the drawings in black and white.
I printed the drawing onto silk habotai using my Epson printer with archival Durabright ink. Prior to printing I tweak the image in a photo program. I enjoy trying out various effects and this time subtle areas of purple developed. The only draw back is the size limitations.
Future plans: Divide and print a composition on multiple pieces of 8.5 x 11″ to enlarge the scale. Check the link to read about it using MS Paint.
I love the way silk responds to ink. Hand stitching brought this piece to life. The small (chicken scratch) stitches in purple represent a field in the background behind the large dark shape. I had some large purple bugle beads (mat finish) that connected perfectly by repeating the effect in the foreground (bottom left).
This piece is not quite finished yet. I am thinking about adding a few more embellishments.
It is made with pieces of the painted canvas. I decided to add some warmth with shades of brown/pink thread (machine stitching).
Three pieces of painted lace looks sort of like beach fence; tiny real sea shells fit in perfectly. (Lace painted with Adriondack color wash: Butterscotch and Raisin)
I begin by moving and arranging pieces of the painted fabric until I see a pleasing composition. Sometimes this takes hours. Often I walk away, wait a day or two and resume. Occasionally, I put it away and work on something else. The composition was positioned on batting and machine stitched in place; additional hand stitching enhances specific spots.
Silk habotai printed with my Epson printer; black and white with organic effects.
This piece is hand stitched with black and white thread; both running stitch and chicken scratch. Beads are attached to emphasize areas; blue and white. Some blue beads are crystals some are mat. In addition, I added four silver wire shapes to the center. I like adding wire. The wire has been pounded and shaped. The ends are pounded flat like a paddle. The wire is attached with hand stitching. Several stitches repeated in one spot to secure it and then repeated in several spots along the wire. The thread matches the color of the background at the point of stitching.
Both Seashore and Silver Strands will be trimmed and the edges finished. You can see the stitching along the edge to secure the layers until this is done.
All four of pieces have similar qualities but are uniquely different. They will be mounted the same to create cohesiveness; 1.5″ deep painted canvas; black paint swiped on rather sloppy to look similar to the paint effects on the fabric.
I would like to read your comments. Write to me and tell me what you think. I welcome feedback.